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Bride of Frankenstein
Edited & Written by Emma Westwood
With authors T. Bloom, Sally Christie, Jez Conolly, Scott Essman, Lee Gambin, Dr Dan Golding, Cerise Howard, Dr Andrew Nette, Dr Eloise Ross, Stephen A. Russell and Jon Towlson
**Honourable mention for ‘Book of the Year’ at the Rondo Hatton Classic Horror Awards 2024**
Published: June 2023, published by PS Publishing (Electric Dreamhouse’s Midnight Movie Monographs imprint)
Jacketed hardback edition only
ISBN: 9781786368805
https://www.pspublishing.co.uk/bride-of-frankenstein-hardcover-5881-p.asp
A cadaverous feast, an exquisite corpse brought to life before your eyes! Writer, journalist and mad scientist, Emma Westwood has edited and curated an essential collection of writing about one of the all-time classics of horror cinema, James Whale’s BRIDE OF FRANKENSTEIN.
From Jon Towlson’s analysis of the film’s censorship to Dr Dan Golding’s post-mortem of Franz Waxman’s score. From Sally Christie’s look at the Gothic feminine to Cerise Howard’s electrifying comparisons between Whale’s movie and Oldřich Lipský’s HAPPY END. A perfect surgeon’s bucket of glistening and glorious essays.
To celebrate this horrific birth, those evil geniuses at Black Phoenix Alchemy Lab have produced three perfume oils to tie in with the publication of the book. BPAL’s T. Bloom a contributor to the collection and a major player in bringing Elsa Lanchester’s memoirs back to life, explains: “We’ve concocted three new variations on BPAL’s original LIGHTNING perfume oil to showcase how elements of Mary Shelley’s original vision have continued to evolve over time, illuminating imaginations around the world.
- LIGHTNING STRIKES LITERATURE – The incendiary moment when a human hand snatches fire from the gods of creativity and channels it onto the page: a lightning storm stirred with beeswax candle smoke, yellowing notebooks, and pools of India ink.
- LIGHTNING STRIKES CINEMA – The scent of sitting in a darkened theater in a rainstorm circa 1935, marveling at the alchemy that transforms scribbled words into specters of light, shadow, and sound: dripping umbrellas, a nicotine haze clinging to musty velvet curtains, camphorous vapors rising from strips of hot celluloid.
- LIGHTNING STRIKES THE FUTURE – Iconic images that ripple through decades of culture and counter-culture, forming an exquisite corpse of horror, glamour, intellectual discourse, and feminist rage that rises to meet the challenges of humanity’s increasingly uncertain fate. The ultimate lab experiment: streaks of feral red musk twining in a double-helix around a pulsing, electrified core of fossilized amber, erupting from a glimmering pool of reactor coolant.
The perfumes can be ordered here: blackphoenixalchemylab.com/halloween-2022/lightning-strikes
Seconds
By Jez Conolly & Emma Westwood
Published: July 2021, published by Auteur (Constellations imprint)
Paperback & Hardback editions
ISBN: 9781800859296
https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781800859289
Seconds (1966), John Frankenheimer’s criminally overlooked monolith of paranoia, is part science fiction, part body horror, and part noir thriller cum black comedy. It’s a film at the intersection of the post-McCarthy mindset, European art cinema, the suburban identity nightmares of The Twilight Zone and the mid-life crises of masculinity aroused by 1960s counterculture.
Arguably the bleakest mainstream Hollywood film ever made, it was famously booed at its Cannes unveiling and a box office failure upon release. And while the film’s critical reception has gradually improved throughout the wider science fiction film community, it remains surprisingly under-appreciated.
This Constellation celebrates the film’s many attributes, from its stylistic significance to its political commentary. In so doing, it counters the film’s rejection, arguing that Seconds turned its inner identity crisis from a vice to a virtue. In the spirit of the finest SF, it is both emblematic of its time and perpetually relevant to new audiences as a portent of things to come – or, for that matter, a startling reveal of the hidden here and now.
The Fly
By Emma Westwood
Published: November 2018, published by Auteur (Devil’s Advocates imprint)
Paperback
ISBN: 9781911325420
https://www.liverpooluniversitypress.co.uk/books/id/53682/
It’s not often a remake can outshine its original but, for a legion of film aficionados, David Cronenberg’s ‘reimagining’ of The Fly (1986) could arguably be one of those rare exceptions. Part-horror/part-science-fiction/part-romance, Cronenberg’s The Fly was close to abandonment at every turn of the Hollywood machine yet rose against the odds to become Twentieth Century Fox’s unanticipated smash for that year, earning classic status in the process and an Academy Award for Best Makeup for its unparalleled special effects.
Utilising real-world scientific development as its dramatic device, the filmmakers took the 1958 premise of The Fly – a man unintentionally fused with a housefly during an experiment in teleportation – and reinterpreted the plot as metamorphosis of these two organisms at a genetic level. Similarly, this book delves into ‘the DNA’ of Cronenberg’s The Fly, and how it represents not only the stories and lineage of its many authors but also a distinguished history of God-complex films and literature stretching back to Mary Shelley’s Frankenstein. While simple in form, The Fly is as profound as storytelling itself, and fascinating in how it says so much with seemingly so little.
Drawing from interviews with its cast, crew and other film commentators, author Emma Westwood intertwines the ‘making of’ tale of The Fly with a number of theoretical considerations, demonstrating the importance of The Fly as social commentary and proof that so-called ‘auteurism’ can be borne from the talents of many chefs (and not spoil the broth).
Read a preliminary interview with Emma about her THE FLY book on Daily Grindhouse, and then the follow-up interview.
Read a review of THE FLY by Niina Doherty at Diabolique online.
Monster Movies
By Emma Westwood
Published: 23rd July 2008, publisher Pocket Essentials
Paperback
ISBN: 978-1-84243-251-8
http://www.pocketessentials.com/monster-movies
A spine-chilling celebration of cinema’s ultimate tales of terror…
Featuring exclusive filmmaker interviews with ROGER CORMAN, JOHN CARPENTER, LARRY COHEN, BONG JOON-HO, GREG McLEAN, RYUHEI KITMAMURA and ADAM SIMON
From the year dot, things that go bump in the night have coloured our collective storytelling experience. The hypothetical ‘monster’, in whatever guise or otherworldly shape it may take, is the manifestation of our fears and social paranoias, and an effective watchdog for making sure we all toe the line.
Through literature, the monster has found a lasting legacy but, through cinema, it has developed from black & white into full Technicolor glory making the monster movie an enduring document of social times, movements, fears and desires. This book peels back the flesh on a few monsters that have tingled our spines and caused more than a nightmare over the past 100 years.
Praise for Monster Movies
“Emma Westwood knows her movie monsters.” Rue Morgue Magazine (Canada)
“Support Emma Westwood by buying this book so that she will be able to write a ‘coffee table’ book on monster movies. You will be glad you did.” Shriekfreak Quarterly (USA)
“Emma has produced the handiest guide to monster flicks ever. I was so impressed that I brought her in to write for Fangoria.com.” Scott Licina, Vice President, Fangoria Entertainment (USA)
“The perspective of a horror fan rather that ‘just’ a writer.” horrornews.net
“Essential is indeed what this book is.” Morpheus Tales (UK)
“[Westwood] writes enthusiastically about her subject and her love for all things terrifying.” netribution.co.uk
“Excellent.” themonstersnextdoor.com (USA)
“Wonderfully wicked discourses.” Shriekfreak Quarterly (USA)
Emma Westwood 