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EMMA WESTWOOD

Writing about movies, monsters, cinematic events and other wild trips

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podcast

The Locust Files podcast

It’s always a privilege to talk about cinema, and never more of a privilege than to speak about it with my incredible friend, Lee Gambin, who knows more about cinema than ANYONE IN THE ENTIRE WORLD (it’s a bold statement but one that I feel is fairly close to being accurate).

Lee asked me to join him for an episode of his new podcast series for Diabolique MagazineThe Locust Files – where he has already interviewed Craig Martin, Jarret Gahan, Jennifer Keishin Armstrong, Sally Christie, Bryan Norton, Jenni Olson and John Harrison. I step up to talk about THE FLY (of course), as well as my newer projects (SECONDS and BRIDE OF FRANKENSTEIN), and a whole lot of other nonsense.

As it tends to happen with Lee, the conversation went off in a number of weird and wonderful directions. You can listen to it right here

Hell is for Hyphenates: Martin Scorsese

A monthly podcast since 2010, Hi4H is momentarily hanging up the hyphenates. How long they’ll be on hiatus, we don’t know – or even if they’ll return – but Lee and Rochelle have signed off with a humdinger of a finale, the career of Martin Scorsese.

Past guests and hosts (including my current Plato’s Cave co-host, Paul Anthony Nelson), have gathered together to contribute their various thoughts on Scorsese and his voluminous oeuvre. I make an appearance (having previous tackled Roman Polanski on Hell is for Hyphenates) where I talk about experiencing Goodfellas andCape Fear for the first time as an impressionable, young lass.

Congratulations to Rochelle and Lee for not just surviving but excelling at their commitment to fully survey cinematic auteurs as chosen by their special guests each month. I, for one, have loved being on the show.

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The Projection Booth’s Special Report: THE FLY

What an honour it is to be interviewed by Mike White about THE FLY for inclusion in his incredible The Projection Booth podcast!

For anyone who may be a debutante when it comes to The Projection Booth, Mike does a deep-dive dissection of cinema that, just like my book, looks at one film per episode then examines it with a panel of co-hosts (Mike being the constant). Often, this culminates in podcasts over two hours long – 3.5 hours in the case of this one.

Mike has two of the most insightful voices in today’s cinema commentary landscape, Samm Deighan and Bill Ackerman, as his co-hosts for the Special Report on THE FLY. And I step up separately to be interviewed about my book, as does Stuart Cornfeld who is the producer of THE FLY and a champion of the film.

This is a podcast that never fails to deliver to the discerning film fan. Get into it.

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