Cinemaniacs’ screening: ALL THAT JAZZ

How blessed I am to have been asked by Lee Gambin and Cinemaniacs to do the pre-screening presentation of ALL THAT JAZZ (1979) on Friday 27th May at ACMI, Melbourne. I make no bones about this being one of my favourite films (ever) and, luckily, the prep for this presentation was completed almost two years ago when I appeared on The Projection Booth to speak about this incredible film.

This will be the first time I’ve seen ALL THAT JAZZ on the big screen so it’s likely I’ll be crying with joy (something I do often when I attend good cinema). Come along and cry 😭 (or dance šŸ‘Æā€ā™€ļø) with me.

Cut the Protesting: A look at Jesus Christ Superstar and more!

Public appearances have been few and far between during this global pandemic but, with a little bit of luck, I’ll be dusting myself off for another Cinemaniacs joint on 27th August at ACMI, Melbourne, Australia. Here’s a bit about it:

“Launching from a 20-minute video essay detailing various components ofĀ Jesus Christ SuperstarĀ (1973) by Lee Gambin, fellow critics Emma Westwood and Jarret Gahan will discuss works that caused controversy, sometimes sparking protest, as well as the role of the rock opera through a cinematic lens.”

“From religious themed films that prompted outrage such asĀ The Last Temptation of ChristĀ (1988) andĀ Ken Russell’s The Devils (1971) to Russell’s manic magnificence in his filmic adaptation of The Who’s TommyĀ (1975), this will be a rollicking panel conversation.”

You can book tix now via ACMI’s website:

Did you catch ACMI’s Psychology of Fear?

It’s fine if you didn’t manage to front up as part of the live audienceĀ because the whole panel event – all 90 minutes of it, including clips and other media – are now available online.

Watch below or head to YouTube to see experts Rosie Jones (documentary maker), Professor Nick Haslam (psychologist) and Penelope Thomas (biometrics researcher) thrash out theories around why we might be so fascinated with scaring ourselves.

As the moderator/host, I provide a little introduction to set the context that includes meeting Peghead and the rest of my family…

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