The Projection Booth podcast: THE NIGHT PORTER

THE NIGHT PORTER (dir. Liliana Cavani, 1974) is one of those films that is well-known. But for all the wrong reasons, and not for good reason either. This means it’s often languishing at the bottom of ‘to watch’ lists when it should be promoted to the top.

Not only is it a marvel to see Dirk Bogarde and Charlotte Rampling at the top of their game here, but it is a extremely touching, rawly human love story – surprisingly so, and uncomfortably so for many, which sadly means a remarkable piece of cinema is simply dismissed as exploitation.

To take on the self-appointed task of defending THE NIGHT PORTER on The Projection Booth with Mike White and Kat Ellinger was challenging and, although I don’t usually listen back to my podcast appearances, this is one where I decided to replay snippets and see if I rose to that challenge. I was pleased by what I heard, and even more pleased to hear Kat’s insights (she is definitely one of the best commentators on classic cinema working today).

So, why not have a listen yourself? With a little bit of luck, we might help you see THE NIGHT PORTER through fresh eyes and ‘get under its skin’.

William Castle Vol. 2: New DVD audio commentary

This beautiful volume of William Castle films, produced by Indicator/Powerhouse Films in the UK, is quite the sight to behold. It follows the Vol. 1 release of The Tingler, 13 Ghosts, Homicidal and Mr Sardonicus, and it features a mindboggling selection of extras created by brilliant people that I love – Kat Ellinger, Samm Deighan and Lee Gambin, to name a few. I did a commentary duet with Lee on one of my favourite William Castle films, Strait-Jacket. To say I’m proud as punch is an understatement.

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RAW: Horror in the Eyes of Women

One of the gratifying outcomes of the RAW advanced screening and discussion panel with Barbara Creed, Philippa Hawker, Clem Bastow and Cerise Howard on 19th April has been the opportunity to write a wrap-up of the event for the incomparable Kat Ellinger and Diabolique online.

For those who were not able to attend, this is the closest you’ll get to hearing the panellists’ words, including sage observations from the likes of Cerise Howard:

“What is most monstrous in this film is heteronormativity… This whole hazing business… it’s rape culture writ large and is truly monstrous.”

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