Mattie Do is a pioneer. She is one of very few filmmakers in Laos, and she is her country’s first female horror filmmaker. She also may have secured Laos’ first ever nomination for an Oscar with her second film, Dearest Sister.
Alexandra Heller-Nicholas from Senses of Cinema commissioned me to write a piece on Mattie Do and – 8,000 words of interviewing later, faithfully transcribed by the always awesome Faith Everard – this piece came into being.
While this article is half the length of the actual interview, it is, hopefully, one that manages to capture Mattie accurately in her own words, as well as the big things she’s doing with some small films that are light years away from Hollywood.