Interview with Charles Williams, director of INSIDE (2025)

All too often, great Australian films get lost upon their release, for no fault of their making. Our cinema industry has a habit of burying its own, then claiming ‘Australians don’t want to watch Australian films’. Sadly, it usually takes an international cult following to give legitimacy to something we should have been championing ourselves all along. Lake Mungo is a case in point.

On Thursday 27th February, INSIDE––starring Guy Pearce, Cosmo Jarvis and Vincent Miller––gets released locally and I’m really hoping it doesn’t suffer the fate of many other Australian features. It’s a stunning exploration of intergenerational trauma, addiction, poverty and crime. It’s also the debut feature of writer-director-producer Charles Williams, who draws from his personal family experiences to give even greater gravitas to this story of a young man being transferred from juvenile detention to an adult prison population.

To support the release, I interviewed Charles Williams for the Primal Screen radio show, which you can listen to in full (30 minutes) on the Triple R website. Or, just play it directly here:


Guy Pearce is at his career-best with a Victorian-specific performance (and when I say ‘Victorian’, I’m referring to the Australian state/territory, not the era). Cosmo Jarvis is absolutely transformative. Toby Wallace has a small but pivotal role. Vincent Miller is the big revelation––his debut screen performance playing an 18 year-old while only aged 15 (usually, it’s the other way around). And here’s the trailer to further whet your appetite:

Going Full Goth: Filmmakers Turn to The Dark-Side

Cinema Nova in Melbourne generously allowed me to indulge in another one of my loves: gothic cinema.

Specifically, they invited me to write a piece for the cinema’s Novadose magazine titled ‘Going Full Goth: Filmmakers Turn to the Dark-Side’ with a special focus on the brilliant debut from William Oldroyd, Lady Macbeth.

While this article is only available in the Issue #11 (July-September 2017) print version of the magazine (see feature image), I have included the text below for your reading pleasure… Continue reading “Going Full Goth: Filmmakers Turn to The Dark-Side”

Website Powered by WordPress.com.

Up ↑